Hint of colour

You know I realise that there are wideangle people and there are telephoto people -- that is, people who tend to prefer wideangle lenses or people who tend to prefer long telephoto lenses. I'm firmly in the wideangle category and I usually have more shots at wideangle and medium telephoto focal lengths than at the full 200mm end of my Nikkor AF-S 18-200mm.

However, occasionally, I actually do find a chance to take a shot at 200mm on my lens, and this is one of them. The two people standing there are actually way up at the roof of a building and I was on the ground. I noticed how striking the image was with the lady in red against an almost completely monochromatic background of metal sheeting. Of the two shots I took, this one seemed to me had the best composition. It would have been better I suppose if the two people were looking towards the camera instead of away, but I couldn't very well shout and ask them to look my way! :)

Nikon D200, AF-S Nikkor 18-200mm f/3.5-5.6VR

Dom Panorama

As the few readers of this photoblog must have noticed by now, I'm always enamoured with doing panoramas of the places I've visited. I guess it all dates back to an article I read, when I was a teen, in Practical Photography about a so-called Hockney Joiner. For those not in the know, David Hockney is a famous British artist who also took photographs and created what is called a "Joiner" -- the thing about Hockney's joiners is that they were simply brilliant -- they didn't join properly and in fact were shot from different positions and focal lengths then joined together into a collage. The brilliant part is that even though they were put together in a seemingly haphazard fashion, they actually made sense as a whole. Very interesting!

Anyway, it was because of Hockney Joiners that I started taking photos in school and joining them up like this, although unfortunately, none of that work still survives today since it was all on film and prints and is now lost somewhere. As a result of this, I've had an interest in making joiners ever since.

While my shot of the Kohln Dom in Germany is far from being a Hockney Joiner, I really like the weird perspective this particular one gives me. Nikon D200, AF-S Nikkor 18-200mm f/3.5-5.6VR

Having a nap

I thought this picture was pretty cute -- the baby seems to be extremely well rested! Anyway this shot was taken at the Dom in Cologne -- the father obligingly allowed me to take this photo. D200, AF-S Nikkor 18-200mm f/3.5-5.6 VR

Cologne Bierhaus

On the day of our arrival in Cologne, we stopped by at various pubs for food and beer. Now I don't normally drink, but the beer in Germany is so good I really had to make an exception. Nikon D200, AF-S Nikkor 12-24mm f/4

Ledge of lenses

I'm pretty happy with this shot I took at Photokina in Cologne, Germany -- it's perfectly framed and exposure was good and the focus was very sharp. This isn't such a big deal normally, until you consider that the photo was a grab shot in dim lighting conditions and I only had a split second to shoot off two frames of this lady before she walked away. The only thing I don't like about it is that it's practically an ad for Canon lenses. :) Nikon D200, AF-S Nikkor 18-200mm f/3.5-5.6 VR

Anemone

I had the chance to visit the Berlin Aquarium while I was in Germany. Not that great compared to Malaysia's Aquaria but there were a few nice exhibits. Nikon D200, AF Micro-Nikkor 60mm f/2.8

D300 at IFA Berlin

Haha I just thought the look on this lady's face while she was looking at the Live View on the camera was funny. That's the all-new Nikon D300, by the way -- the new version for my D200 and I have to say it's a real nice camera -- autofocus was faster than on my D200, and the noise level at High ISO was incredibly low. Nikon D200, AF-S Nikkor 18-200mm f/3.5-5.6 VR

Conflict

There aren't that many historical buildings left in Berlin after the War, but in one particular place (I can't remember the exact place) there are still a few. This was shot from a moving double-decker open-top bus which I was on. Notice the incredibly blue sky -- I wasn't using a polarizer at all in this shot -- the sky was REALLY this blue. Sigh. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Dali on the bear

The bear is the symbol of Berlin and there are lots of statues of bears to be found all over the city. This one in particular caught my eye -- in case you don't recognise him, the artist featured on the side of this bear is Salvador Dali -- the guy who produced that famous melted clock painting. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Accordion girl

Foreginers of all kinds are seen on the streets of Berlin every day playing some instrument or other for money -- other than this girl I just missed the Scottish people in kilts playing bagpipes! Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Night rider

If I had a choice, I would have framed this shot better, but unfortunately, it was raining, I didn't have a tripod and I couldn't stand where I wanted to stand. :) As it is I only had the chance to prop my camera on top of a convenient rubbish bin and set it in self-timer mode. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Pictures

Part of the interior of the Kaiser Wilhelm Memorial Church is used to showcase photos of Berlin as it once was. Nikon D200, AF-S Nikkor 12-24mm f/4

Watering the plants

This shot came out exactly as I had planned it -- I took great care to frame the little window in this modern art sculpture/fountain in the middle of Berlin right smack in the centre of the frame. As such the final image has a natural frame around the subject and I think the water droplets add a certain something to it. I converted this image to B+W for the simple reason that it looks more striking this way -- the original was in brown monochromatic tones. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Chairs

This colourful display of stacked chairs is the perfect subject for this kind of shot. When doing repeating patterns like this, I always try to shoot it from a variety of angles, both in protrait and landscape mode and then decide later which one works best. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Ceiling detail

The ceiling of the Kaiser Wilhelm Memorial Church in Berlin has an astonishingly ornate ceiling which has survived the war. Nikon D200, AF-S Nikkor 12-24mm f/4

Kaiser Wilhelm Church

Some 75% of Berlin was destroyed in World War II but still a few relics have remained standing and one of these is the Kaiser Wilhelm Memorial Church. Even then, only part of the bell tower survived but a new church was built around it -- the building on the top left corner is actually the new church, with tiny windows which allow light to shine through the stained glass windows (see below). Nikon D200 AF-S VR Nikkor 18-200mm f/3.5-5.6

Seeing the light

The inside of the new part of the Kaiser Wilhelm Memorial Church is amazing -- what looks like a million little TV sets behind christ are actually little stained-glass squares which let the outside light shine through. I had a very clear idea that I wanted the man to be sitting on the right corner of the image, but there were quite a few people walking around inside, so I had to wait till most of them moved away from the left side of the hall and quickly snapped this shot. Nikon D200, AF-S Nikkor 12-24mm f/4

Things are looking up

Sometimes a scene like this just comes along and begs to be photographed! I don't know what trishaw guy was looking at -- probably on the modern art Mt Fuji at the Sony Centre (which is where this was taken)! :) You'd think that I switched to continuous burst shooting for this shot, but actually I didn't -- I'm from the old school of shooting and I like to try to shoot without having to go into machine gun mode. In fact, this shot was the middle of just three shots I took as I panned the camera to follow the trishaw's movement. Don't let it be said that cameras that shoot a large number of frames in a second are needed for action and sports shots -- I've always been able to get by without. :) Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6

Sunburst

What a difference a bit of sun makes -- this unusual roof at the HUGE Sony Centre in Berlin is supposed to look like Mt Fuji from the outside, but I noticed it also looked really good from the inside. I took a few shots and while they looked okay, it wasn't till the sun suddenly burst through the clouds, illuminating the blades that the photos really popped!

Here's nearly the same photo taken a few seconds before:

Walking the rooftops

I find I'm always doing various takes on this theme, i.e. a person walks by in front of a bizarre background, although you may or may not have noticed because the framing is often different. Like with most of these shots, it's actually more difficult than it seems because it's always shot from a moving vehicle (shots like this tend to pop up for me only when I'm in a cab/bus/train) and the background is a small area of usually only one building block in size. This was shot in Berlin, Germany. Nikon D200, AF-S VR Nikkor 18-200mm f/3.5-5.6